Walkaway (Toward Constitution)

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Springs of Poetry Go Dry

In democratic communities, where men are all insignificant and very much alike, each man instantly sees all his fellows when he surveys himself. The poets of democratic ages, therefore, can never take any man in particular as the subject of a piece; for an object of slender importance, which is distinctly seen on all sides, will never lend itself to an ideal conception.

Thus the principle of equality, in proportion as it has established itself in the world, has dried up most of the old springs of poetry. Let us now attempt to see what new ones it may disclose.

When skepticism had depopulated heaven, and the progress of equality had reduced each individual to smaller and better-known proportions, the poets, not yet aware of what they could substitute for the great themes that were departing together with the aristocracy, turned their eyes to inanimate nature. As they lost sight of gods and heroes, they set themselves to describe streams and mountains. Thence originated, in the last century, that kind of poetry which has been called, by way of distinction, descriptive. Some have thought that this embellished delineation of all the physical and inanimate objects which cover the earth was the kind of poetry peculiar to democratic ages; but I believe this to be an error, and that it belongs only to a period of transition.

Of Some Sources of Poetry Among Democratic Nations

Alexis De Tocqueville: Democracy in America, published 1835–1840

Ancient Distastes: Poetry

Aristocracy naturally leads the human mind to the contemplation of the past and fixes it there. Democracy, on the contrary, gives men a sort of instinctive distaste for what is ancient. In this respect aristocracy is far more favorable to poetry; for things commonly grow larger and more obscure as they are more remote, and for this twofold reason they are better suited to the delineation of the ideal.

After having deprived poetry of the past, the principle of equality robs it in part of the present. Among aristocratic nations there is a certain number of privileged personages whose situation is, as it were, without and above the condition of man; to these, power, wealth, fame, wit, refinement, and distinction in all things appear peculiarly to belong. The crowd never sees them very closely or does not watch them in minute details, and little is needed to make the description of such men poetical. On the other hand, among the same people you will meet with classes so ignorant, low, and enslaved that they are no less fit objects for poetry, from the excess of their rudeness and wretchedness, than the former are from their greatness and refinement. Besides, as the different classes of which an aristocratic community is composed are widely separated and imperfectly acquainted with each other, the imagination may always represent them with some addition to, or some subtraction from, what they really are.

Of Some Sources of Poetry Among Democratic Nations

Alexis De Tocqueville: Democracy in America, published 1835–1840